The Rental, the directorial debut of Dave Franco, is a good if somewhat familiar dramatic thriller.
Entrails of a Virgin mixes softcore porn with gore, but is the mixture done well?
Terrifier is a bloody slasher with a throwback feel, but does the lack of a fully-developed sympathetic character hurt its effectiveness?
Jigsaw is a fine jumping-on point for new viewers who got lost along the path known as Saw, but is it a path worth joining?
Happy Death Day is billed as a slasher and is being lauded by some as a step towards the revival of the sub-genre, but is the movie really worthy of those distinctions?
Long thought to be lost to time, the horror-themed sexploitation film The Satanist was rediscovered after over 40 years. Is it worth watching though, or should it have stayed forgotten?
House is a misunderstood masterpiece of Japanese horror. It’s crazy, strange, and deeper than most people give it credit for. It’s a must-watch for any fan of film.
Chucky’s back again, but can a change in characters and scenery add a fresh spin to the series?
Child’s Play 2 has a distinctly different tone that its predecessor, but is that a good thing or a bad thing?
Child’s Play is considered as a classic, but is it deserving of its highly regarded position in horror history?