Brightburn – Podcast Episode 23

Brightburn is a twisted version of the superhero origin story we’ve grown accustomed to over the years. It’s been advertised as a horror movie first and a superhero movie second. But is it scary? Does it even work as a horror movie or as a superhero story? Find out my thoughts as I discuss Brightburn in episode 23 of The Last Theater.

In the Mouth of Madness (1994) – Podcast Episode 21

We have reached the end, the end of it all. Join chris and Joey as they discuss the final film in John Carpenter’s Apocalypse Trilogy, In the Mouth of Madness! With such great movies to live up to, can In the Mouth of Madness live up to the standard set by The Thing and Prince of Darkness, or does the world finally end with a whimper? Listen as we share our thoughts in episode 21 of the Last Theater podcast!

Prince of Darkness (1987) – Podcast Episode 20

Join chris and Joey as they discuss the second part of John Carpenter’s “Apocalypse Trilogy,” Prince of Darkness! With its focus on blurring the lines between science and religion, Prince of Darkness is a movie that touches on some deep philosophical ideas while still giving viewers plenty of murder and scares. But do those scares (and the special effects) hold up over thirty years later? Listen and find out!

The Thing (1982) – Podcast Episode 19

Deriving its terror from over-the-top body horror as well as unnerving psychological uncertainty, The Thing is an absolute classic. It is a movie that works on multiple levels and contains themes that run deeper than casual viewers might realize. Join chris and Joey in episode 19 of the Last Theater on the Left Podcast as they begin their journey into John Carpenter’s Apocalypse Trilogy with a look at 1982’s The Thing!

Black Christmas (1974) – Podcast Episode 18

With its stellar cast and clever direction by Bob Clark, the man who is also responsible for Porky’s and A Christmas Story, 1974’s Black Christmas is a holiday tradition at The Last Theater on the Left. Listen to episode 18 of the podcast as chris and Joey discuss why the film is so effective, how it served as a sort of midway point between the Italian giallo films and the American slashers that were to come, and how the movie’s chilling ending might have more to it than we see.